Jean-Paul Baillargeon, editor - The Handing Down of Culture, Smaller Societies and Globalization

Chapter 11 | Diane Saint-Pierre

(continued)

Among Canadian provinces and levels of government, it seems that cultural policies are more or less centralized, more or less rooted in the past or oriented toward contemporary creation, more or less dependent upon public funds, regardless of whether they are English Canadian, French Canadian or Québécois.

It is clear that globalization leaves all governments, federal, provincial and municipal, facing similar problems. I believe there is ground for transverse studies and comparisons which may allow us to ask precise questions about common problems, and to examine, appraise and make public the different political answers that are being and will continue to be brought forward. Such a project could have a number of benefits, one of them being the establishment of cooperative relationships in the sharing of knowledge and expertise in this field, but access to such comparative studies could also be useful in developing common and shared political strategies in the face of the rapid evolution of the world’s economic and social contexts.

My other suggestion is more closely linked with the theme of this colloquium, because when talking about the handing down of culture, one talks of meaning, about the proper and common values of societies. Confronted with “new” actors in the field of culture, who, as underlined by Vincent Lemieux (1996: 195-196), speak “a discourse which can be called collectivizing, as it valorizes collective identities, at whatever level,” these actors being agents defining and handing down collective values (members of municipal councils, public administrators, faculty members, pressure groups, Canadian and Québec coalitions, non-governmental organizations), I think it is time that researchers and analysts investigate the role and impact of those actors, and the values and beliefs they represent and hand down.

I do not think it is necessary to point out that governing, nowadays, is becoming a more and more complex activity which goes beyond the traditional institutional framework. What has happened in recent years, especially with the negotiations of the World Trade Organization (GATT prior to 1995) — the failure of the Seattle Conference in December 1999, or the demonstrations at Davos (Switzerland) and at Porto Alegre (Brazil) — or the recent Third Summit of the Americas, held in Québec City in April 2001 in the framework of the negotiations of the Free Trade Zone of the Americas, show us with certainty that the zone of influence of political institutions, as well as the influence of their leaders, is changing rapidly.

In spite of the size of the phenomenon, pressure groups and coalitions in the world of culture, along with other social stakeholders, have not been paid sufficient attention by researchers and analysts. It’s about time we put them under our lenses.

references

Dalphond, Claude-Edgar (2000), Les politiques culturelles municipales au Québec: synthèse d’une étude, Québec (Province), Ministry of Culture and Communications: Note. “This document presents a field study done in 1998 by Michel de la Durantaye, professor at the Department of Leisure and Social Communication at the Université du Québec à Trois-Rivières.”

Fortier, André and D. Paul Schafer (1989), Historique des politiques fédérales dans le domaine des arts au Canada (1944-1988), Prepared for the Department of Communications, Ottawa, Conférence canadienne des arts/Canadian Conference of the Arts.

Lemieux, Vincent (1996), “Conclusion: Des politiques publiques comme les autres?,” in Florian Sauvageau, Ed., Les politiques culturelles à l’épreuve. La culture entre l’État et le marché, Québec, IQRC: 191-199.

L.R.Q. (2000), Chapter 56: Bill 170: An Act to Reform the Municipal Territorial Organization of the Metropolitan Regions of Montréal, Québec and the Outaouais, assented to 2000-12-20.

L.R.Q. (2001), Chapter 25: Bill 29: An Act to Amend Various Legislative Provisions concerning Municipal Affairs, assented to 2001-06-21.

Québec, Green Paper (1976), Pour l’évolution de la politique culturelle du Québec. Document de travail, Québec, Ministry of Cultural Affairs.

Québec, White Paper (1978), A cultural Development Policy for Québec, Québec, Éditeur officiel du Québec.

Saint-Pierre, Diane (2001a), La politique culturelle du Québec de 1992: continuité ou changement? Les acteurs, les coalitions et les enjeux, Québec, École nationale d’administration publique (Ph.D. Thesis).

Saint-Pierre, Diane (2001b), La culture comme facteur de développement de la ville: les expériences étrangères, Sainte-Foy, INRS-UCS/Québec, Ministry of Culture and Communications, December.

Chapter 12 | Robin Higham >

  


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